A horror drama from EME Films. Three numbers tie a set of lives together, people who should never have crossed paths, and every one of them is moving toward the same moment.

By the time anyone understands what 13.13.13 means, it may already be too late to stop it. The full story will be revealed soon.

He kept the company’s systems running for years. Then, in a single meeting, he was let go, and the retirement he had spent his career building went with him.

Now he does what he was always best at. He watches, he studies the patterns, and he waits. Everyone in that boardroom has a weak point, and he knows exactly where to find it. Observe with patience, and know the target.

For years he was the one nobody noticed. He cleaned up their messes, covered their mistakes and stayed late while they took the credit. When the company decided he was disposable, something in him went quiet.

Now people at the top are disappearing one by one, and every scene is spotless: no prints, no witnesses, no trace. The detectives are looking for a professional. They should be looking for the man nobody remembers seeing.

Two crews, two cities, one road. Houston builds muscle. Detroit builds machines. When a job forces both crews to run the same cargo up the highway between them, every stop becomes a negotiation and every mile raises the price.

Fast cars, crates nobody opens and a partnership nobody trusts. From the Gulf Coast to the Motor City, H2D is about what people will carry, and what they will risk, to get where they are going.

Two mailroom workers at a high-tech company have one job left that a machine hasn’t taken: delivering the mail. Then the company rolls out HI-T3C, a cheerful AI delivery robot with a smile on its screen and no idea when to stop.

Now they have to outwork, outsmart and occasionally outrun their new coworker before it automates them out of the building. It is a war over envelopes, and the robot is winning.